Jacob Lill approaches event production as the coordination of artistic intent, physical space, technical systems, logistics, and people. His work spans sound-system engineering, projection and video environments, production planning, show operations, and collaboration across creative and technical teams.
The writing published here is intended to make production decisions more understandable. It distinguishes verified inventory and direct practice from manufacturer claims, credits collaborators where roles are known, and avoids presenting a single equipment choice as the answer to every room.
Areas of practice
- Funktion-One system deployment
- Sound engineering
- Projection mapping
- Immersive event production
- Production planning and operations
A practical explanation of the Dance Stack format, its visible components, signal-chain context, and the questions to ask before renting one.
The venue, schedule, audience, power, access, sound limits, and operating details that turn a loudspeaker request into a useful production plan.
A plain-language walk through sources, mixing, processing, amplification, loudspeaker sections, monitoring, and the verification steps around an operated Dance Stack.
A complete overview of projection mapping discovery, surveys, projector and lens planning, content templates, alignment, operations, and budget drivers.
A decision guide comparing projection mapping and LED displays across daylight, surfaces, brightness, scenic integration, rigging, content, camera use, and budget.
A framework for combining audience journey, audio, projection, lighting, scenic design, infrastructure, interaction, control, and show operations.
Denver based. Available nationwide.
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